Mist & Spray by Simone Kereit
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Mist & Spray

September 2015
Fingering (14 wpi) ?
22 stitches = 4 inches
in stockinette
US 6 - 4.0 mm
450 yards (411 m)
This pattern is available for $8.00 USD buy it now


I find my way through rocks and stones,
streamlines form where fish do roam.
Bleak rocky shore changes to brush,
fish and frog do like the lush
undergrowth, to hide and thwart
kingfisher’s eyes are very sharp.

And fog ebbs into meadows thick
as cooler nights are nearing quick.
From mountain stream down to the sea,
mist and dew will follow me.

Mist & Spray is the fourth installment of Riversong: 2015 Shawl Club, and is exclusively available as part of the pattern club until 2016. If you would like to know when I release new patterns (and the single patterns from the club), you can sign up for my newsletter here.

Full written and charted instructions

A moonlit haze shrouds over meadows as fog rises from the warmer water in the cooler autumn nights and silver dew forms on everything. The water splashing and sparkling on rocks and the silent ripples and water-movements that are left behind by unseen tail flicks of swimming creatures hidden under the still surface of the water all found their way into this shawl.
Worked from the top down with optional beading, this shawl celebrates water in its myriad of forms:
Ripples, spray, mist, fog and sparkling dew in the moonlight.

Fiber Optic Kashmir Yarn Paintbox (80% Superwash Merino, 10% Cashmere, 10% Nylon; 450 yards / 411 m, 4.25 oz / 120 g per skein)
1 Paintbox Gradient Set in ‘Ink to Powder’

US Size 6 (4 mm) min 32”(80 cm), or size to obtain gauge

22 st = 4” in stockinette st

approx. 850 sz 6/0 Beads and crochet hook or tool for preferred beading method.
(If desired 26 special beads can be used for the bind off row. The sample shown used 26 Swarovski Crystal Bicone drops (6mm) as the focal point of the picots)

Finished Sizes:
53”/ 135 cm wingspan tip to tip, 19”/ 48cm center back depth

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all OwlCat Designs patterns are professionally edited and tested
Many thanks to Polly Hammond (Butterscotch Press) for technical editing.